But where to from here? First things first: before you do anything else, you need to decide if a series is the right choice for the story you want to tell. Thank you so much for your article! Simply put, act structure means having a beginning, middle, and end. Pinterest can be a great source of inspiration and a wonderful way to visualise settings and characters while you plan your series. However, the individual books emphasise a variety of different themes such as prejudice, power, sacrifice, choice, love, and death. Create a fictional world readers will long to return to. To plan the setting of your crime or mystery series, think about the sort of atmosphere you want to create. Does the plot have potential for creating tension? Once you’ve finished writing and are reading back over your work, your themes will be much clearer. Happy to hear you enjoyed the post , I didn’t realize I was still in the brain storming phase until I read your article. If readers are to stay with you for multiple books, you must create a setting rich enough to immerse them and complex enough to sustain their interest. Keep in mind that each volume of a series should stand on its own as a valid novel in itself. Immersing yourself in the world of your story will help give your series a consistent, authentic feel. How to Write a Movie Review Outline. Point is, you can’t plan everything in a film outline. However, this doesn’t mean that structure isn’t an important consideration for genres that don’t follow traditional ‘series’ conventions. One very popular resource for dramatic structure is Blake Snyder’s Save the Cat. The main reason readers will keep reading a story is because they’ve invested in the characters. If you were explaining the plot to someone, you’d follow this scene with something like: “... but soon the Nazis arrive, steal the ark from him, and seal him inside.”. Structural considerations in crime/mystery novels and contemporary fiction series are vastly different. Because they’re deeply invested in the political developments of Westeros? Thanks for the advice! Great content! Have you tried to outline your own series and felt some major overwhelm? Your show is on every week, and that means there's no waiting for your … And, more importantly, does it answer them all? And if your characters want to take you in a different direction after that, let them do so and see where you end up! That would disrupt the flow of cause-and-effect crucial to any plot. They are usually broken up in those above acts.Learn the best way to structure your screenplay with this free guide. Find your ‘Central Idea’ Every great series grew from the kernel of an idea. Anyways, my questions for a started series that needs some work…how would you recommend developing something already in the making? A last word of advice. Familiarise yourself with your story’s sense of place as much as possible before you start writing in earnest. Try to turn these kinds of clichés on their head and subvert reader expectations with original plot, theme and character elements. Take a look at your entire story and break it down into sections. There’s a lot to cover here, so let’s get started! The point is, the words “but,” “therefore,” and “so” denote cause-and-effect. My husband and I write our own web series, so if you were hoping for your own production of it, I can help you there. If you are looking to get the series picked up by an actual television channel, it will be very different than writing it for your own enjoyment, or for the internet. Thankfully, you don’t have to re-invent the wheel every time you need to lay down your structure. More and more people are flocking to the small screen to find daily entertainment. If there isn’t, the book doesn’t really qualify as a self-contained narrative. So this is a good litmus test for knowing if your plot is on track. End them on a dramatic highpoint and make sure the conflict is well developed. They’ll come in handy for revision, if not for planning. A visual medium requires visual methods. It’s something hinted at in the smog-soaked London of Holmes’s cases, and in the country houses of Allingham and Christie.”. There is no straightforward way to know how to outline a screenplay. As excited as you may be to jump right in and start writing, unfortunately, that’s not the best way to go about things. Its very simple formula breaks your plot into eight distinct “beats.” Each beat has suggested page counts for when they need to happen. From Arthur Conan Doyle, Enid Blyton and Agatha Christie to J. K. Rowling, Terry Pratchett and Patricia Cornwell, writers of all genres and styles have made the series work for them. You can then flesh these out in your script outline. We’re in a golden age of TV writing and development. Thank you for this detailed outline of scriptwriting. It’s helpful to have some sense of symmetry or balance within the series. A series will usually have recurring themes that span the entirety of the story, but it may also have themes that are explored or emphasised individually in each volume. Each Holmes story deals with an individual mystery, and while there are threads that connect all the volumes, the structure isn’t as rigid as that of a speculative fiction series. Take some time to note down everything you can about. He used this to evaluate how well the script was balancing the time spent in the different worlds within his story. Take a look at these, Is the plot driven by characters’ actions? More and more people are flocking to the small screen to find daily entertainment. Perhaps consider holding off on introducing one or two key players until later in the series, rather than all at once at the beginning. This is the premise of every single TV … They’re two sides of the same coin! Master the art of visual storytelling with our FREE video series on directing and filmmaking techniques. If you’re just looking to write a pithy list of scenes to get you started, you’d be well-served by the one-page outline accomplished screenwriter John August used for his script Big Fish. Whichever kind of series you’re writing, you should start this part of the planning process by writing down everything you already know about your setting. Comment below with your favorite story beats of all time or with some films you want to see us break down. Summarize The Plot First of all, in any review you’re going to need to summarize the plot of the show. You've finally made it to the final step in the process – and it's the most enjoyable step … My series is extremely character-driven and don't know how to outline it. This is because at all times, when writing for television, you need to be aware of the series elements of your story and each episode, although important in their own right, must also link and connect with the episodes following on after—like the beads in a necklace. We're including: Save the Cat Beat Sheet, The Story Speedometer, Simple Script Outline Template, and the Treatment template for TV shows. There are resources out there to give you a rough estimate of how many scenes you need per act. Instead, make notes of any problems, ideas or missing parts that occur to you and amend them when you’ve finished your draft and are conducting a complete edit. (Insert Multi-Line Text Field) Episode Breakdown: Can you see how they will undergo a compelling journey, both physical and emotional? Sometimes, an agent will need to send around the pilot script to networks; networks will then decide who they want to meet with for an in-person pitch based on the strength of the pilot script. rom-coms), the more useful a detailed outline can be. BONUS TIP: Be sure to consider how and when you will add new characters to keep things interesting. Expect that executives who get hundreds of show ideas aren't interested in reading an essay on your show, so that single sentence is what gets you through the first screening process. Noah Charney December 28, 2014 And try to connect the dots with as few scenes as possible. J.K. Rowling, for example, … The ending, which should tie up the majority of your story’s threads. Take a look at your rough plan for each book and ensure that there is indeed a climax point in every one. This might mean you choose not to undertake every aspect of the planning process we’re about to outline. There’s no point setting out to write a series just for the sake of it; it needs to be the right vessel to deliver your particular tale. If, however, you’re thinking of writing a series on a whim, just to see how it goes or to try to make a quick buck… Well, it’s probably safe to say that you won’t be able to demonstrate the proper level of commitment to such a mammoth task. Does it raise enough questions? Character should inform how to outline a screenplay, Use act structure to organize the parts of your script outline, Extend your beats into scenes with a step script outline, Find a script outline example that suits you, understanding the desires of your protagonist, Up Next: Proven Ways to Launch Your Writing Career →, The Ultimate Guide to Call Sheets (with FREE Call Sheet Template), How to Break Down a Script (with FREE Script Breakdown Sheet), The Only Shot List Template You Need — with Free Download, Managing Your Film Budget Cashflow & PO Log (Free Template), A Better Film Crew List Template Booking Sheet, Best Storyboard Softwares (with free Storyboard Templates), The Best Sam Mendes Movies — American Beauty to 1917, What to Watch Right Now — Netflix, HBO, Prime, Disney, Hulu, Best Podcast Recording Software — Mac, PC, Paid & Free, How to Make Money on YouTube [Complete Video Monetization Guide], The Scorpion and the Frog Story — How Writers Use Fables. After helping you work out whether a series is right for your story, this Ultimate Guide will help you through every step. Even before you start outlining your story, consider what I wrote in the first part of this series. For example, the Harry Potter series can be seen as books one through three, followed by book four as a turning point (Voldemort’s return), rounded out by the final three books leading to the ultimate climax of the story. Once you have a rough idea of how you’ll break up the overarching narrative, it’s time to focus on that all-important concept: the climax. If you’re writing in another genre, such as literary or commercial fiction, a standalone novel is probably your best bet. Take a look at the characters you have in mind for your story. I had… Create a cast of characters. Start writing! As we discussed above, your protagonist especially must grow and change throughout the series. These will form the individual books. Develops the storyline using the scenes essential to the story’s genre supplemented by scenes that present relevant and just plain interesting action and/or drama pertinent to the idea set forth in the Logline and Leavebehind. Take a look at our video, How Authors Can Use Pinterest For Fiction Writing & Novels, to find out more about this handy tool. Know as much as you can about your protagonist … How badly you want to achieve the goal of creating a series. Do they have enough potential for development that can be sustained across multiple books? They must want to return to the world you’ve created, whether it be completely imagined (as in fantasy or science fiction) or realistic (as in a crime or mystery series). . Conan Doyle’s Sherlock Holmes novels, for example, can be read in any order. As John August puts it, “The correct way to write your screenplay is whatever gets it written.” We hope learning how to create a script outline with our free template gets the job done for you. Now it’s time to think about the structure of that story, and how it will inform the structure of your series. But you don’t have to be strict about it. So glad to hear you enjoyed the post. Think about some of the most famous and successful book series you know. How detailed you want to get is entirely up to you. Rather than feeding into a vast overarching narrative, these types of series tends to be more episodical in nature. For now, ask yourself these questions from the outset to see if your plot is suited to a series. Genre needs to be one of your first considerations when it comes to making this kind of choice. The overarching theme in Harry Potter, for example, is the conflict between good and evil. Especially if you’re like me and your outlining process is in-depth and detail-oriented, it may actually be counter-productive to hammer down all the details of your later stories until you’ve written the earlier ones.. An outline, however thorough, is never the final story. D’oh! Tag elements like props, wardrobe, and cast. Developing your characters and knowing them well before you jump into the story will benefit you greatly in the long run. Themes can also encourage readers to think about aspects of the world they hadn’t previously considered, especially if they’re sustained over an entire series. Every writer is different. Everybody has a different writing process; some people are plotters, some people are ‘pantsers’, and the rest are somewhere in between. Don’t worry too much about breaking the ‘rules’, as there really aren’t any, as such – more just general guidelines on what readers/publishers etc. However, I have also experience getting to a scene I thought I carefully outlined, only to realize that it didn’t work. The outline has to work in the same way as the script will do. The answer to this question really comes down to three things: If writing is your passion and your dream, if the story within you is bursting forth and begging to be told, and if writing a series is a goal you’re willing to work hard to achieve – then it sounds like you’re committed and ready to give it a try. Best of luck writing your series. Revisions will help with that. If not, you must either reconsider the characters and their arcs or consider the possibility of a standalone novel. You can achieve this through descriptions of things like the weather and the environment in which your characters find themselves. Thanks so much! There aren’t many publicly available examples of long outlines like this to share, however WikiHow hosts a script treatment example that is shows the gist (albeit at only 11 pages). We’re big believers in writing outlines of movies as you watch them and then breaking them down in order to master structure, and the same goes for writing a TV series. If you’re wondering whether to make the commitment to writing a series, we’ve got you covered here with everything you need to know. Creating an outline for a reality TV show is very similar to the process of outlining a scripted show, only with less rigidity regarding the scripted dialogue of the characters. The next thing you need to do is answer the following questions about your plot: These questions will help you identify any major issues with your plot outline so far. What will happen to put this change in motion? While your characters must undergo a transformation, there must also be some measure of consistency in their depiction. Otherwise, your writing process – and the story itself – is likely to be rather aimless and ineffective. Before you set out to write a series, you need to take a good, long look at your plot. These will go hand-in-hand with your plot to form the foundation on which your series is based. Will readers be disappointed or will they understand the purpose behind any open-ended aspects? But these tried-and-true guidelines will help you crack the structure for your character’s journey. To wrap your mind around the overarching structure, ask yourself the following questions. Years ago, South Park creators Trey Parker and Matt Stone shared a very helpful nugget on how they mastered this technique. Of course an engaging storyline is vital, however readers must also care about what happens to your characters. We’re here to help. While committing to a series is a big step, and can be overwhelming at times, it’s important to remember why you decided to do it in the first place. For example, if you’re writing a bleak, gritty detective drama, you should aim to let those feelings (bleakness, grittiness) infuse your setting. As for your question on developing your series: totally understand the plotter/pantser dilemma, and the trouble you’re having with deciding how to move forward. Use key points in their personal journey and development to decide how your series will be structured. The first and most popular type of story is the One Big Story Arc typeand the second is the Self-contained Story Arc. Is this something you’re mentally, physically and financially prepared for? How will the relationships between various characters change and develop throughout the story? To break things down a little, let’s take a look at how setting is used in two of the most common series-based genres: speculative fiction and crime/mystery. I’m going to use the ideas to incorporate it in a podcast. How to Write a Treatment for a Reality TV Show. Based on the premise of unscripted events, reality TV can take many forms. With an hour long television series episode, you write a Teaser scene, followed by Act One, Act Two, Act Three, Act Four, and sometimes Act Five, depending upon the show. BONUS TIP: Consider creating a Pinterest account dedicated solely to the planning of your series. There are game show-elimination formats, personality formats, docu-dramas and other game shows. If you look hard enough, you should find self-contained narratives within the larger plot. All of these things must be determined in order for you to grapple with your act structure -- the foundation of your story. Let's say a TV network ordered for your television series 13 episodes for you to write, how would you go about doing it, most especially outlining it? There is a lot of information I have about it, and I’ve even started bits and pieces of the actual writing. After all, writing is rewriting. Does my plot follow a single narrative arc, or does it contain many separate threads that can be woven together? Others might rub their hands together at the potentially lucrative benefits of a long-running series. When readers commit to reading a series, they do it for one main reason: because they care about the characters. (The exception to this is a character such as James Bond, who undergoes relatively little development throughout Ian Fleming’s series of novels. This will allow you to head them off early and save yourself the hassle of revising or rewriting later. Let’s get things started with the first step in the process: plotting. This is completely normal; a lot of concepts tend to come up naturally as you write the story. Be economical, and don’t bore the audience with too much exposition. Write a pilot before writing the full pitch. I know I should take a step back from the writing and work on the planning, but I’m generally a pantser (but I’m also a ghostwriter and pantsing for books for my clients always works, but how come it doesn’t for my own personal writing?) So the number of scenes required to realize those beats are entirely up to you. The inciting incident, which will kick off the events of your series. The exploration of universal human themes helps readers relate to the story you’re telling, which is important if you want them to come back for each volume of your series. Writing Your Pilot Episode Set a deadline for yourself so you have a goal to reach. To cut a long story (or series) short: if you’re writing in a genre other than those listed above, you must have some very compelling characters or another very good reason for deciding to write an entire series. If Indiana Jones, say, got lonely and struck up a conversation with one of those snakes then… yeah, I can hear you yawning. World-building in fantasy and science fiction, eight effective ways to write page-turning tension, How Authors Can Use Pinterest For Fiction Writing & Novels. It could save you some valuable time and effort at the end of the process. Keep a digital or physical folder full of all your notes and ideas about the series. Rather than wasting your time starting a series only to give up halfway through, you’re better equipped to explore other options, such as standalone novels or short stories. Write a one sentence synopses of your TV show. Oscar-winner Tony Gilroy said 30-to-80 page outlines are necessary for his own process. For a sitcom, it is advisable to create between four and eight main characters who will appear in every episode. How many books should you divide the series into? Similarly, the individual climax points before this will usually appear towards the end of each of the other volumes. What are their desires, goals and motivations? Will their desires change? The three approaches are: Story-Driven Plotting. premise. Before you launch into writing your spec-fic series, you need to lay some groundwork for your world-building. They must advance the plot and develop the character. Others need a map of generally where they’re going but worry about over-engineering their plot if they get too detailed. The logline and show bible simply suggest an idea — the pilot turns it into a reality. Get to know your world as much as possible so that when you do begin the writing process, you can immerse yourself entirely in the story rather than trying to figure out minute setting details. Try to avoid the clichés of your genre. Before we take a look at some key steps in planning your series, keep in mind that these are only guidelines, not concrete rules. I even know I love at least 2 of my other main caste characters too. he actual writing of your script is the fun part. At the end of the story, most of your characters (especially your protagonist) should not be the same people they were the start. McCarthy’s trilogy is classified as a series because of recurring characters and settings, as well as strong thematic links. With this in mind, you must put some serious effort into considering your characters before you start writing. We’ll delve into this further below. TV Writing and Development. At this point you may need to rework the structure or plot so that a climax or turning point can be included. Your setting’s magical, futuristic, dystopian or technological elements are what sets your book apart – both from other genres and other novels. In addition to plot and characters, a series’ themes play a key part in ensuring readers stick with you through multiple books. Start the planning process by creating a rough character profile for each of your main players, paying special attention to your protagonist. Is there potential for extensive character development, world-building and subplots within my main plot? How to write a TV pilot script step #3: outline other TV pilots.. It’s important to note, however, that these kinds of series (literary especially) don’t generally follow the typical conventions of a series.
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